Last weekend, most of our group (roommates and all) headed southwest on a 5 hour train journey to a city named YuShan in the Jiangxi province. From there we had a short journey up to SanQingShan (roughly translates to the Three Distinct Mountains). I think most of us were not quite sure of what we were getting in to, for example not many of us packed for colder weather as we had just left Hangzhou’s mid-thirties. But we were treated to an amazing range of granite peaks and valleys and wooded slopes, with the life-sized versions of the trees that Bonsais are likely to have been harvested from.
The whole spectacle, with the sunlight appearing and disappearing in a moody display with the clouds and fog, I remember thinking that poor Ansel Adams had missed out on quite so much out in the East. Speaking of which, I have uploaded some photographs to the above link and I warn that they do not do justice. We spent the night out in tents at the courtyard of a Daoist temple near the summit of one the tallest peaks in the area and woke up early the next morning with the hope of catching the sunrise. It turned out that we were slightly late which meant that we, draped in our sleeping bags to keep warm and holding our bamboo walking sticks had a very brisk Gandhiesque march up the rest of the way. Still beautiful. We got back late Sunday night and after getting all my homework done for the next day couldn’t help but feeling really enthused about wherever my next trip out of Hangzhou would take me.
Otherwise, the last two weeks have seen me falling into the academic routine, which also means that I am beginning to discover where my free time in the week tends to lie. I have taken up learning the Dizi (the Chinese bamboo flute). The class is held in a music instrument store right outside the main gate of the campus with my teacher is a 60+ year old man named Tu Laoshi. His strong southern accent, with all the technical and music terms he throws at me and the fact that the Dizi is a little more complicated than its Indian counterpart all adds up to the class being pretty challenging but I already feel that I am starting to get a hang of things. And it helps that the man’s tea is excellent. Also the class is held close to the glass window of the store which tends to collect a crowd of little kids watching me struggle. If anything puts pressure on the laowai to perform, that’s it.
Hangzhou has cooled down suddenly and drastically this last week due to the typhoon at the nearby coast and the grey skies and constant drizzle have let loose a tangible gloominess. But that didn’t stop a few of us making a quiet weekend evening getaway to the commercial downtown of the city in search of a Subway sandwich. This was my first time to that part of the city and it is really quite impressive. It only lacks a certain rustic charm, in my view, that much of the rest of the city boasts. I feel that there is a constant push and pull between the traditional and (pardon the cliché) the western. If I were to compare Hangzhou to Bombay, I feel that the existence of the extremes of these two concepts is definitely more prominent here in Hangzhou and there is not much of interplay. I worry whether the youth of my generation have been forced to choose this way or the other, with a compromise yet unheard of. The generation gap, for historical reasons and others, is considerable but it means that the country is socially heading into an eerily predictable direction. I hope, on this one, that I am wrong as there is much to lose.
But I begun to gain a sense of one thing that is slower to evolve and has locked within its nuances so many little pieces of culture and history; the language. Whether it is the chengyu (the four character idioms) which itself can carry the meaning and weight of an epic, or the basic everyday greeting of ni chifan le ma? (have you eaten yet?) maybe the forces of yesteryear are putting up a fight without us even realizing.